Monday Review: Nineteen Eighty-Four

It was quite a year, 1984. It was the year that Frankie said Relax, and for Admiral Kirk and the crew of the USS Enterprise, the needs of the one outweighed the needs of the many, and they went off in search of Spock.

It was the year of Ghostbusters, the Space Shuttle Discovery, Torvill and Dean, and African famine.

Madonna was on the verge of world domination with the release of Like a Virgin, as was Clive Sinclair in his field of expertise with the Spectrum+. Both of these were to have some significance as I plunged irrevocably towards teenagerhood, as was the fact that 1984 was when my family upped and left the home of my childhood for what seemed like a far less desirable place a stones throw from Birmingham.

It’s fair to say I have mixed feelings about that year and its legacy, and maybe that’s why it has taken me so long to read its official biography by George Orwell. And, now that I have, I have mixed feelings about that too.

It was kinda hard to get into at first, took a while before the descriptive/info-dumping phase finished and Winston met his co-protagonist Julia, and their somewhat stop-start illicit affair began in whatever moments they could snatch away from the prying eyes of Big Brother. Then that gets interrupted by a big chunk of the book (The Theory and Practice of Oligarchical Collectivism by Emmanual Goldstein), which although supposedly some sort of Bible for the more rebellious drones of the Party, was very dull and much harder to wade through than the actual story.

And in the last part of the book, Julia and Winston are caught, separated, tortured and finally rehabilitated into life under the Party. From a plot perspective, this is where most of the interesting stuff happens, much of it I found reminiscent of scenes from The Prisoner (good 1960s original, not crappy Hollywood remake).

On the subject of plot, it should be noted that not very much actually happens. It’s something of a fall and rise of Winston Smith (or possibly it’s a rise and fall?), precipitated by his befriending Julia. But for all the shortfalls of the plot, there is no denying that the world of Nineteen Eighty-Four speaks loud and clear into the Airstrip One Britain of 2012. We are all too familiar with the concept of Big Brother; Newspeak of a sort is taking ova thx 2 txt msgs; and even perpetual war does not take a massive leap of imagination.

In fact, with the exception of the extreme sexual repression under the Party, much about the world of 1984 is alarmingly plausible from the outset:

The pen was an archaic instrument, seldom used even for signatures... Apart from very short notes, it was usual to dictate everything into the speak-write…

And by pen, Winston is not referring to the type of ink-pencil I usually use these days, but one with a proper nib and everything. Very prescient, in the details as in the bigger picture, and for that reason a definite must-read. I would have to say, however, it’s probably not a must-read again.

Badly thought out Despair of the Week

I wasn't going to make a habit of this, but I saw this video on geekologie.com and, honestly, it was too good (ie bad) to ignore. It's straight out of the '90s, when Teenage Mutant Ninja Turtles and Vanilla Ice (apparently) were at the peak of their powers, and is a prime example of Christians sticking their beards into what other people's children should or should not be watching on TV and getting for Christmas.

They do make one good point in the course of the video, but I'm not convinced the Mickey Mouse comic with the ouija board in was contemporary with the rest of the stuff.

I suspect it's been cut to make them look even more stupid than they would otherwise -

What's the problem with this guy [Vanilla Ice]?
MC Hammer is certainly not a role model we as Christians should emulate, though he claims to be a Christian.

Actually, the thought of these guys doing the Hammer dance, I think he may have a point after all. Although I'm still curious as to what the problem with Vanilla Ice actually was.

Anyway, my point, besides ruthlessly mocking these muppets, is that this kind of thing actually happens in real life - Christians decrying things they have only a passing knowledge of, like the Harry Potter phenomenon (which must have made these guys' heads explode) that many condemned on the basis of what Mavis said about it after church last week.

I have no problem with people having a genuine problem with the way some stuff is marketed these days - the fact that you can pick up Playboy branded stationary on the High Street, blatantly aimed at the average schoolgirl, is a bit of a worry - but you might at least try watching these things before telling us all why they're evil.

What I have a problem with is people like these, who (a) make Christians out to be a bunch of opinionated killjoys; (b) seem to think children can't tell the difference between an animated pizza-eating reptile and real life; and (c) are probably so wrapped up in seeing the devil behind every successful TV franchise that they've completely missed the real problems in the world.

Next week: I attempt to stop ranting and get this blog back on topic - tune in to see if I succeed!

Daily Mail Despair of the Week

Apparently, Peppa Pig is a bad influence on children. According to the Daily Mail:

One father spoke of his despair at how his four-year-old son had taken to splashing in what he gleefully called ‘muddy puddles’ on his way to school - copying Peppa's favourite pastime.

I wish I lived in a world where that was the biggest problem facing society. Kids are being forced to grow up too quickly anyway these days, without causing despair or having their favourite TV characters banned for, um, being children!

Let's get a few things straight to start with:

1. Peppa always puts her wellies on before jumping up and down in those muddy puddles (don't get me started on the fact that she's a pig)
2. Puddle jumping is often enjoyed as a fun activity for the whole family. Heaven forbid.
3. Out in the fresh air, no less. 
4. George may ask for chocolate cake for breakfast, but to my knowledge he never gets it. 
5. One episode even gives a handy tutorial in making salad more appealing to kids by forming it into the shape of a dinosaur. 
6. I've given this far too much thought haven't I? 
7. Peppa is a pig. 

Maybe I have given this too much thought, but seriously? A kid jumps in a puddle or asks for chocolate instead of broccoli and all you can do is lash out at a cartoon pig?

Don't misunderstand me, I'm not saying we should let our kids have chocolate cake for breakfast, but experience tells me that if we don't let our children have small amounts of chocolate cake under close supervision, they will end up binge-eating it down the park with those unruly kids from the next street. 

And it never stops with chocolate cake. Oh no, it will soon progress to Mississippi Mud Pie and Black Forest Gateaux, and before you know it they'll be hopped up on a cocktail of banoffee pie and treacle sponge, indulging in wild, cake-fuelled orgies of unashamed muddy puddle-jumping.

Surely we, as parents, have a duty to educate our children, to show them that things like cake - and cartoons - can be highly enjoyable, in the right context. 

I mean come on, everyone loves jumping up and down in muddy puddles! 

Enjoy Peppa Pig responsibly 

For the facts about excessive cake consumption visit www.cakeaware.co.uk 

If you have been affected by any of the issues raised in this article... meh.

Sci-fi Song of the Week

Hmmmm let's see, we need a sci-fi song for the week before Christmas. I wonder if we could possibly find something suitable, possibly involving Fountains of Wayne....

Spam and muppets

I always knew this. That's why I wrote Countless as the Stars. But now the nice science & sci-fi gurus at io9.com have said it too, so it's about as official as it's going to get (probably):

Adding 'in space' to anything makes it better!

A case in point:

+

=

So there you go. Um, not to say that Countless as the Stars is actually better than the original... oh dear, ever wish you'd never started down a train of thought?

Still, there's time to get part one of The Bible: In Space (at least, if you live in the UK) before Christmas and make up your own minds ;)

It makes a great gift too.

Sci-fi Song of the Week

Let's see, we need a sci-fi related song - I'm feeling a little space-y this week - for two weeks before Christmas. I feel sure thing exists - perhaps in Japan...?

CSFF Blog Tour: Corus the Champion

So today concludes the blog tour for Corus the Champion by D Barkley Briggs, a book I haven't read, but don't take that as a bad thing as my opinion of fantasy novels is rarely a good indication of how good they are.

I have, however, read some of the blogs on the tour, and there's a lot of people saying a lot of nice things about it. Here are just a few posts that may be of interest:
Shannon McDermott digs into the religion in the story;
Bruce Hennigan compares it to Tolkien, no less;
John Otte gives us a writing prompt (sorry, I don't think I'll be taking that one up); and
Mharvi points us in the direction of a rather large blooper.

You should also check out the author's website, and his blog, and then all the rest of the tour participants listed at the foot of yesterday's post.

Tuesday Tunes: The Chorus of Champions

You see what I did there? It's the blog tour for Corus the Champion, see, and it's Tuesday, which means tunes, so... Anyway, here's the Top Ten Champion Choons.

10. Top Cat: Champion Deejay
One of Hanna-Barbera's more enduring hip-hop artists, despite initially having to change his name to Boss Cat in the UK for copyright reasons.

9. The Low Anthem: Champion Angel
You know, now I come to think about it, I'm not actually sure Hanna-Barbera even had a record label.

8. Hypnotic Brass Ensemble: Champion
I can say with reasonable certainty that no Top Ten has yet had 3 and a half minutes of, well, brass, but who knows, we could be setting a precedent.

7. Hammerfall: The Champion
Because you gotta love Swedish rock music. Unfortunately this track is about a minute and a half longer than strictly necessary.

6. The Polyphonic Spree: The Championship
Continuing the quest for eclecticism, have some choral symphonic pop rock. At least, that's what the interweb calls it, but I'm sure it was wrong about that Top Cat thing.

5. The Chevin: Champion
There's something a bit U2 about this track, at least if you cover your ears and squint.

4. Reverend and the Makers: Heavyweight Champion of the World
And he's probably not even a real vicar, just some bloke from Sheffield, whatever the interweb tells you.

3. Fatboy Slim: Champion Sound
The bloke doing the vocals on this is Lateef the Truthseeker. I wonder if he knows Top Cat?

2. Wire: Champs
That's more like it: good old fashioned British punk rock. It might be less than two minutes long, but at least you know where you stand.

1. Jonathan Coulton: We Are The Champions
Well if the interweb is to be believed, this was really written by some bloke called Freddie Mercury, but we all know how reliable that is, so here's the original version by the original geek-rocker.

Spotify the Top Ten now - you know it makes sense.

And don't forget that all this jolliness is part of the CSFF Blog Tour for Corus the Champion by D Barkley Briggs, which continues this way:
Gillian Adams Noah Arsenault Beckie Burnham CSFF Blog Tour Carol Bruce Collett Theresa Dunlap Emmalyn Edwards April Erwin Victor Gentile Nikole Hahn Ryan Heart Bruce Hennigan Christopher Hopper Jason Joyner Carol Keen Krystine Kercher Marzabeth Shannon McDermott Rebecca LuElla Miller Eve Nielsen John Otte Donita K Paul Sarah Sawyer Kathleen Smith Donna Swanson Rachel Starr Thomson Fred Warren Phyllis Wheeler Nicole White Rachel Wyant


Sci-fi Song of the Week

Because he finished our Top Ten, and because it just ain't Christmas 'til you've heard Chiron Beta Prime.

CSFF Blog Tour: Corus the Champion by D Barkley Briggs

As a way of easing myself back into the world of blogging after an intense month of novelling, and prior to easing myself backout of it again for Christmas, there is a conveniently timed CSFF Blog Tour, for, as the more astute reader will have realised, Corus the Champion, by D Barkley Briggs.

Corus the Champion is the second title in the Legends of Karac Tor series, which Briggs wrote as a tale his four sons could relate to as they dealt with the loss of their mother. The Legends of Karac Tor tells the tale of four brothers who, 'while struggling to adjust to life without mom, become enmeshed in the crisis of another world. Along the way they must find their courage, face their pain, and never quit searching for home.'

I've made this point before, when the tour happened upon the first book in the series, but I'll make it again because it's a good point (and also I haven't done the homework). The point that strikes me about that is how the author used his talent to help his kids, and by extension, others in the same situation - thus bringing something good out of a bad situation.

We writerly types are always encouraged to write about what we know, and as I've taken a look back over the editorial notes I've been carefully excising from my NaNo script, I'm seeing ways I can use my own bad situations to add depth to that story (as I tried to last year, with the first draft of Project Seven, which will likely never be revived). Writing for me is sometimes a therapeutic attempt to work through my own dark side, and if at the same time I can help someone else out of the same situation - or stop someone getting into it - then it helps me make sense of it.

And, just maybe, it will show that even writers of fantasy novels can make a difference.

And now it's your turn, make a difference to these lovely people by stopping off at their blogs:
Gillian Adams Noah Arsenault Beckie Burnham CSFF Blog Tour Carol Bruce Collett Theresa Dunlap Emmalyn Edwards April Erwin Victor Gentile Nikole Hahn Ryan Heart Bruce Hennigan Christopher Hopper Jason Joyner Julie Carol Keen Krystine Kercher Marzabeth Shannon McDermott Rebecca LuElla Miller Eve Nielsen Sarah Sawyer Kathleen Smith Donna Swanson Rachel Starr Thomson Fred Warren Phyllis Wheeler Nicole White Rachel Wyant

NaNoWriWeekFive

Yes, it's that time of year when thousands of word weary novelists emerge blinking into the cold harsh light of reality, sleep deprived but with another first draft under their belts.

And, yes, as you will have gathered, I made it to the required 50,000 words (50,591 in 29 days, for the record), but I'm not sure the novel is finished. I write the final chapter - sort of - but most of the preceding chapters need a lot of doctoring to properly lead up to that point and tell the story I want to tell.

It is, it has to be said, a mess at the moment. The original concept got a little bent out of shape in the process of being written, and a lot of the earlier chapters need to be completely re-written or just dumped entirely; and there are a lot of editorial notes and so on that need to be extracted and turned into fiction somehow, so the whole thing is still a very long way from finished.

This has been, I think, the first time I have attempted to write something of this length without more than a vague idea where it was going, hence the quantity of about turns and footnotes, but despite all that, it shaped up, over the course of the month, to be something I actually like. It changed a little from the original urban fantasy feel when my protagonist finally revealed his back story to me during a 1000 word sprint on my penultimate night of novelling, but starting out with that element of weirdness in it allowed me to get the story down, and I'm fairly confident that with a little work this can be something worthwhile.

Now all that remains is to unlock my inner editor, and set about the second draft...

NaNoWriWeekFour

As of the now, I am officially ahead of target. By 8 words, but this month, every word counts. And it's the first time since Day Five that I have been ahead of the game, so all in all the last few days have gone well. Sort of.

The plot is starting to come together. It's got exciting action, some interesting plot twists, a completely unnecessary zombie apocalypse, psychic vampires, and two female characters I keep interchanging with each other at random. Ok, I admit it, it's a mess. I had to retcon most of the plot yesterday when I started to work out what was going on, and since then chapters have been springing up in the middle of the manuscript with only a vague idea of where they belong. And there are two action-y sub-plots, and the one that ends at the end of the novel has far less climactic potential than the one that ends on the way to the first one...

Oh yes, and one of my characters has served no real purpose in the story yet. That's a whole mess of sub-plot to be woven in once I've extracted two of the prologues and got the main story timeline sorted (I'm fairly sure someone was wearing a bikini in October). But that's all part of the fun. All I have to do now is stay above the line for a few more days....

NaNoWriWeekThree

By some miracle, I managed to start week three on exactly 20,000 words - that's just a day behind - and having written at least something every day of the month. This is good. My pace has slowed a little over the last few days, but things are starting to fall into place. Setting off with only a nebulous concept of what I was hoping to do and say with the story has certainly presented its problems, but just charging onwards and letting the characters - and any momentary whim that takes the author - dictate what happens has, in a round about way, brought many weird and wacky plot threads into the story and forced them to play nicely.

As a result, my NaNoWriMo project is currently 23,493 words of jumbled plot threads, editorial notes and redundant scenes, interspersed with the occasional spark of potential.

Now, and only now, I am starting to get some idea of what this story looks like. My inner editor is craving to go back and re-write some of the earlier sections so that they fit the 'big picture' that I can see now. Most of my characters don't have names yet; many don't even exist, it's as if my world has a population of about 6 people at the moment. More bit-part characters are needed!

Most worryingly, however, is that at the current pace the story will be reaching its climax somewhere around half way to the magic 50,000. But thus far I've concentrated on the story of one of my main characters; I know there is at least one more side of the story to tell - and then the various side plots and tangents that may bring up to be followed, so success is still in sight.

Why I do NaNo

It is, I imagine, a popular and important question at around this time of the year. It certainly is here; I've already found myself sleep-typing on two separate occasions already this month, and now I'm compounding the problem by trying to blog at the same time.
(Actually it's just an excuse to point out the shiny new widget that should now be adorning the sidebar.)
Anyway... Yes, it's insane. Yes, 90% of what I've written is rubbish. Yes, I'm sleep deprived, and the house is cleaning deprived. So why do I do it?

• Well it's fun. The camaraderie. The fact that you can ask 10,000 other NaNites how to spell camaraderie. (I've written 3,007 words today, I've lost the will to spell.) The fact that, somewhere on the NaNoWriMo website, all of human life is represented. The fact that some questions get answered in the forums and then the asker refuses to believe the answer on the basis that it does not tally with their experience. The fact that said question did, ultimately, restore my faith in the moral sensibleness of at least some young people in this country. Hurrah!
• I'm a deadline junky. The only way I will ever finish a first draft of something approaching novel length is to do it in November.
• In a very practical, writerly way, I do find that plunging straight into a novel NaNo-style is a quick and easy way to see if the idea has legs. For instance, I tried a novel for Camp NaNoWriMo earlier in the year, quickly found it wasn't going to go anywhere as I had envisaged it, and gave up. November I take more seriously and try not to give up like that; but this month I got to about 8,500 words of crap before working out vaguely where the story should be going, and it seems to be picking up now.
• Peer pressure. It does seem to work: this evening an hour of word wars boosted my word count by the required 1667 (and then some) and left me with a messy jumble of plot twists and potential new directions to let my characters (most of whom don't have proper names yet) explore in later chapters.

NaNoWriMo is certainly not for everyone, and it is completely insane, but I've found a way to make it work for me. I think it's going to be an annual event for some time yet...

Bring on November...

So it's almost November... time to think about a plot, right?

The public vote was inconclusive, and left me to ponder four options:

1. An Old Testament Space Opera. Nice to see my very own sub-sub-genre make a last minute surge through the field, but ultimately, although it's the most ready-to-roll of the four outlines, I'm not finished with the last one yet, so I'll hold off for another year before starting another.
2. A Comic Fantasy. A sequel to DragonQuest is very much ready to tumble out of my mind, but I decided to leave this for outside NaNo, when fun writing projects like this can help keep my writing muscles going without the crazed NaNo momentum.
3. A Timey-wimey story with Jesus in it. Another last minute attacker, but unfortunately it needed too much planning, so this is also left on the back-burner.
4. An Urban Fantasy (with shades of Angel). Yep, I'm going to write a fantasy novel! Well, more a supernatural thriller, I suspect. It's going to be almost 100% winging it this time - here's what I have to go on so far:

Dark Empathy

Mordikai Stone is a man with an unusual talent. Able to experience complete empathy with anyone he touches, and more than that, take the pain and suffering of others on himself. Armed only with his constantly shifting perception of the world, he sets about a self-appointed mission to cure anguish and suffering wherever he finds it. But a chance meeting with a woman he once helped brings Mordikai to a shocking realisation: his attempts to help may be causing more harm than good.

CSFF Blog Tour: The Bone House by Stephen Lawhead

Just time today for me to point you at a few highlights from the tour...

It seems that a recurring theme has been that of how 'Christian' The Bone House is - you know, being from a Christian publisher and all. Thomas Clayton Booher is on the 'make Christian novels Christian' camp; Becky Miller puts the case that religion is growing in importance in the Bright Empires series.

Elsewhere:

• Jeff Chapman introduces us to Thomas Young, one of the 'real' historical figures to have a supporting role in the Bright Empires series
• Bruce Hennigan reviews the book by likening Mina to G'Kar from Babylon 5 (he does other stuff too, but this is a sci-fi blog!)
• Shannon McDermott bravely tackles the intersection of Christianity and the multiverse concept (I'll have to can of worms that, it's too late in the day...)
• Jason Joyner accuses the author of having a British narrative style - I hadn't really thought about that, but when I come to review the book, I will try and remember to do so
• Robert Treskillard gives a detailed review - other reviews are available, check the following blogs:

Noah Arsenault Red Bissell Thomas Clayton Booher Beckie Burnham Morgan L. Busse CSFF Blog Tour Jeff Chapman Carol Bruce Collett Karri Compton D. G. D. Davidson Theresa Dunlap April Erwin Victor Gentile Tori Greene Ryan Heart Bruce Hennigan Timothy Hicks Christopher Hopper Janeen Ippolito Becca Johnson Jason Joyner Julie Carol Keen Krystine Kercher Marzabeth Katie McCurdy Shannon McDermott Rebecca LuElla Miller Joan Nienhuis Chawna Schroeder Kathleen Smith Donna Swanson Rachel Starr Thomson Robert Treskillard Steve Trower Fred Warren Phyllis Wheeler Nicole White Rachel Wyant

CSFF Blog Tour vs Tuesday Tunes

It seems like a while since I've done this, so without any further ado, let us celebrate the CSFF Blog Tour for The Bone House with.... the Top Ten Bone songs:

10. Guns n' Roses: Dust n' Bones
And we start with some classic 80s hard rock - contains a swear near the end. (Those naughty rockers eh?)

9. The White Stripes: Bone Broke
A nice loud blues rock number by Jack White and his, er, female relative of some sort.

8. The Raconteurs: Store Bought Bones
A nice loud alt rock number by Jack White and a few musician pals.

7. Elbow: The Bones of You
They should have renamed themselves 'Funny Bone' just for today, in a vague attempt to be humerus...

6. Radiohead: Bones
For some reason, bone themed songs seem to be more popular in the indie/rock genres than elsewhere. So here's some from somewhere near Kit Livingston's home town. Probably.

5. Brian Eno: Bone Jump
Electronic offerings are thin on the ground this week, but here's a practically non-existent ambient piece from the master of the art.

4. Alice in Chains: Them Bones
Heavy metal meets grunge - turn it up to eleven!

3. George Thorogood & The Destroyers: Bad to the Bone
Theme tune to the movie 'Christine'. I had a car called Christine once. Evil it was. And a Mini.

2. The Dead Weather: Bone House
Well, it had to be didn't it? And, hang on, isn't that Jack White again?

1. The Kinks: Skin and Bone
A warning against extreme dieting, in Ray Davies' inimitable style:
She don't eat no mashed potatoes, She don't eat no buttered scones Stay away from carbohydrates You're gonna look like skin and bone.

Almost forgot, which would be a shame now Spotify has reached the colonies: The Playlist!

Don't forget to visit the rest of the CSFF Blog Tour (full list yesterday) as they look at The Bone House by Stephen Lawhead.

Sci-fi song of the week

It was in the Top Ten Bone songs; it was also in Terminator 2 (I need your coat, your bike, and your underpants, that bit). It's George Thorogood and the Destroyers....

CSFF Blog Tour: The Bone House by Stephen Lawhead

In conjunction with the CSFF Blog Tour, I received an ebook copy of The Bone House courtesy of the publisher.

Independently of the CSFF Blog Tour, my laptop chucked a hissy fit and banished said ebook to the more inaccessible reaches of cyberspace, and refused to allow me a re-download in time to read it for the tour.

And so it has transpired that if you want to read my review of the book as part of the official tour, you will have to jump a handy ley-line and try to hit the seventh sphinx on the left. Which, it has to be said, is kind of a shame, because the first volume in the Bright Empires saga, The Skin Map, was actually rather good, and the sequel - at least as much of it as the technology would allow me to read - seemed to be following in the same vein.

The Bone House continues the story of Kit Livingston, following his (at the time) inexplicable rescue from the depths of a pyramid somewhere by his once-useless girlfriend, Mina, who unbeknown to Kit, became a dimension-hopping Lara Croft at some point. That is not a plot-hole, mind; this is a time travel story, and that Mina's transformation from drippy girlfriend to Prague coffee entrepreneur to time travelling heroine is initially unexplained serves only to reinforce the reader's empathy for the bemused Kit, who thought the quest was his to complete.

On his website, Lawhead describes the Bright Empires series as his most ambitious work to date; given the variety of locations, time periods and POV characters the one and a bit books I've read so far cover, I can well believe that. There is certainly a lot going on; sometimes I get bogged down trying to keep track of all the threads and characters in a sweeping epic like this, but so far I think Bright Empires is striking a nice balance for my taste (and attention span).

Of course, it doesn't hurt that the whole timey-wimey nature of the story is just my cup of tea to start with, but suffice to say, I will be leaving The Bone House on my Christmas list (yes, I'm old skool. No kindle here). And I will review it properly, at some point in the future; don't wait for that though, take a nose round the rest of the tour, then get yourself a copy (I recommend the ley-line friendly hardback edition).

Noah Arsenault Red Bissell Thomas Clayton Booher Beckie Burnham Morgan L. Busse CSFF Blog Tour Jeff Chapman Carol Bruce Collett Karri Compton D. G. D. Davidson Theresa Dunlap April Erwin Victor Gentile Tori Greene Ryan Heart Bruce Hennigan Timothy Hicks Christopher Hopper Janeen Ippolito Becca Johnson Jason Joyner Julie Carol Keen Krystine Kercher Marzabeth Katie McCurdy Shannon McDermott Rebecca LuElla Miller Joan Nienhuis Chawna Schroeder Kathleen Smith Donna Swanson Rachel Starr Thomson Robert Treskillard Steve Trower Fred Warren Phyllis Wheeler Nicole White Rachel Wyant

Other linky goodness: 

My review of The Skin Map

The author's webiste

Some NaNoWriMo prep thoughts

It is an important and popular fact that the author of this blog does not do fantasy. I have no frame of reference for orcs and hobbits like I do for spaceships and time travel.

Which of course is why the most popular choices on the 'What the public wants me to write for NaNo' poll are labelled 'urban fantasy' and 'comic fantasy'. Admittedly the comic fantasy option - a sequel to 2009's DragonQuest - owes more to cyberpunk than it does to Lord of the Rings, but still, I think the world is out to get me. As it happens though, those are currently my two favoured options as far as having the story planned out go; none of the shortlist are much more than ideas, but those two are more fully-formed ideas, ready to be built on in the last few days of October.

At the same time, I'm keeping a wary eye on the wildcard option - the 'grab stuff other NaNites didn't want and run with it' option. That could be a lot of fun, especially if I can find a plot I like and mash it up with fairies and aliens, but on the other hand, do I want to spend 30 days writing somebody else's idea at the expense of eight of my own? Well, maybe I do. The reason I do NaNo is to recharge my writing batteries, get back in the mood for novelling, remind myself what great ideas I have on my WIPlist still wanting to be written. Maybe, having got the bug back, knowing I have at least two ideas ready to be worked on and at least half a dozen more to keep thinking about, I'll keep writing more consistently over the next eleven months.

Plus, I just read about the Egyptian mummies buried under our McDonalds.... surely that has to be a story!?

Tuesday Tunes: Right Here In This Room by Steve Leach

You may not be aware of Steve Leach; he's a DJ from Bournemouth, and his speciality, according to the CD cover, is 'big bass lines, beats and general noisiness, allowing powerful messages to be emphasised musically'. So what we have here is, essentially, a selection of talks by well-known Christian speakers, sampled and remixed over the aforementioned big beats and synth-heavy noisiness.

Right Here In This Room starts out with the fairly low-key 'Free For All', and picks up pace until 'Dry Bones' - Steve Chalke reading from Ezekiel - where the music gets a little more interesting, very much in keeping with the theme of the talk.

Part-way through we get to take a breather with the message-lite, melodic and laid back ‘Do You Remember’, before we're thrown into Cris Rogers' much more excitable, upbeat, talk based from the persepctive of Simon Peter, encouraged to start a revolution by Louie Giglio, and then my current favourite driving track, 'v4'. Verse 4 of what, I still haven't managed to figure out, but it's loud, full of bass and a stirring message: 'What are you gonna pray for? What are you gonna step out of this place to fight for?'

It is the messages that really make this CD. We have Matt Redman telling us that 'He's a good God to have around' (The Way Through), and on 'More?' Louie Giglio's ironic take on asking for God's blessings: 'You don’t even know what to do with what you have!'

If I'm completely honest, Steve Leach is no Fatboy Slim; but obviously you would have heard of him if he was. But in the liner notes he says 'I wanted to lead worship that connected more with the real world in which I live, rather than the Christian bubble in which I spent each Sunday morning plus maybe a week in the summer'. And as someone who would rather spend Sunday morning on a back-lane blast to and from a car show with some bass-heavy beats pumping out of the Mini than singing in church, I'd have to say he connects with my world pretty well too.

Scifi Song of the Week

On a similar electronic tip, but a bit more old skool: it's The Prodigy, taking our brains to another dimension...

Monday Review: Afterlife - The Resurrection Chronicles by Merrie DeStefano

Afterlife is a bit of a schizophrenic book. The cover is all neo-Twilight urban fantasy, but the premise is definitely more psuedo-science than traditional fantasy. To explain: Afterlife is set in New Orleans some time in the future, where science has found a way to instantly transport your dead soul into a cloned body. Up to nine times, which seems somewhat arbitrary, and the whole resurrection process was never really explained to my satisfaction (probably should have left it in the realms of urban fantasy, I think). Cue a philosophical sci-fi thriller dealing with cloning, immortality and religious faith (yes, there are nominally Christian characters in there, puzzling these things over). From the blurb:

Chaz Dominguez is a professional Babysitter in New Orleans, helping to integrate the recently deceased into their new and improved lives. Though Fresh Start has always been the only game in town, resurrection isn't all it's cracked up to be. Nine lives are all a person can get—and a powerful group of desperate, high-level Nine-Timers will stop at nothing to possess the keys to true immortality. Now the only hope for Chaz and his family—and the human race—lies in the secrets locked away in the mind of Angelique, the beautiful, mysterious Newbie he must protect . . .

Afterlife presents (insufficient science notwithstanding) an interesting premise, an undoubtedly interesting world, and what should have been an interesting and action-filled plot, but then, at times I just didn't get it. The multiple POV characters I can cope with, for instance, unless you make one of them a dog. And I'm not sure where the 'Resurrection Chronicles' thing comes from, as it was all wrapped up mighty neatly at the end of this book!

So much for the quibbles though; is it any good? Well, it's actually not bad, unless you were expecting Twilight, in which case you'll likely be baffled by all the science-fictiony stuff that sneaks in. If you ignore the cover and take my word for it that this is actually a dystopian story in which the 'ideal' world, where near immortality is available to all, has gone horribly, terribly wrong, then you might get a kick out of it.

A Christian sci-fi/fantasy reader looking for something thought-provoking but non-threatening to recommend to a friend might find the subjects of immortality, faith and science gone bad as covered in this story will provide good copnversation starters. Afterlife is definitely something different; I'm still not quite sure what it is, but it's different, and that's got to be worth something.